Automated Dialog Replacement

• Spotting using
Pro Tools w/ digital picture
Sony 9-Pin serial direct
or simple VITC capture (VITC -> LTC converter and USD)
• Generating ADR Line Scripts for both client & talent
• Generation Line Count Summaries for calcuating stage time and organizing bookings
• Providing a robust list management interface to streamline the ADR recording process
• Making the re-sync & cue sheeting phase equally as streamlined

• Spotting Foley
Pro Tools w/ digital picture
Sony 9-Pin serial direct
or simple VITC capture (VITC -> LTC converter and USD)
• Generating Foley Cue Sheets for both Walkers & Mixers
• Providing a robust list management interface to streamline the Foley recording process
• Generating Final Cue Sheets from the Session rather then trying to write them after the foley session.

• Automating the re-digitizing of dailies from EDL's ALEs for FLex files supplied by Picture Editorial
• Unattended recording of dailies with discontinuous time code when EDL's are not available 

  (how about for syncing production "print takes")
• Auto Assembly from EDL to the currently open Pro Tools Session using pre-digitized audio 
• Support for mixed frame rates EDLs
• Support for DEVA hard Disk Field Recorders
• Assembly from Appleshare servers, batch copy of only the necessary audio files.
• Batch Time Stamp Adjustment
• Destination Track Re-mapping
• Batch Re-Naming for Dailies to match EDL's
• Easily assemble stereo audio sources to a monoral source EDL

• Full motion control from your Macintosh keyboard regardless of which application is in the foreground

(Tape, Pro Tools, Adobe Premiere, Finder, etc...) 
• ...and the context of the application.

(Even with the Spot Region or Import Audio dialog open)
• No more collisions between applications trying to control your decks.
• Picture is Master, not Pro Tools
• Motion control is driven at interrupt level.  Pro Tools can be hung drawing a FADE and you still have motion control
• Pre-Rolled and TO-THE-FRAME GOTOs, with or without deferred playback. 
• Support for Sony 9-Pin, MK-707, Micro Lynx ES-Buss, and MMC protocols.

• Most functions in Tape are performed with Pro Tools is in the foreground including
• Spotting, Mark Ins & Mark Outs
• Edit the Tape List Fields 
• Cursoring up and down through the List
• Jumping in the Time Line to spotted In/Out times
• Auto region naming from spotted events
• Context switching between multiple Tape Lists
• Keyboard based selection of Audio Suites
• Assembling sounds selected in the Finder end to end on the Pro Tools Time Line
• and much more...
• Tape even extends the Finder's interface
• Play sound out of the Mac Speaker by simply selecting it and hitting the Zero on the number pad (Hit period to stop playback). 

(This works for Appleshare servers too)

• All capture and goto functions in Tape automatically translate (on-the-fly) to samples when "Sample Mode" is selected. This way you can use Pro Tools Free for Spotting ADR/Foley or just about any editorial activity requiring the use of time code....

 

     
 

Even on your laptop in a jet between New York and Los Angeles

 

• Full and independent control over all adjustable elements 
• Audio position within regions 

(ie: audio speed correction - 44.1 ->48K)
• Sample position relative to "start of session" 

(ie: session speed correction DF -> NDF)
• Memory locators position
• Midi chunks
• Automation
• All on a track-by-track basis
• Audio file duration coming soon!

• Move Memory locators between sessions
• Merge or separate between sessions
• Use to create EDLs

• The Cue Sheet System is included as part at no additional cost